In the era of the Internet and Oprah, in which formerly taboo information is readily available or freely confided, secrecy and privacy have in many ways given way to an onslaught of confession. Yet for those who are HIV positive, decisions about disclosure of their diagnosis force them to confront intimate, fundamental, and rarely discussed questions about truth, lies, sex, and trust. Drawing from interviews with over seventy gay men and women, intravenous drug users, sex workers, bisexual men, and heterosexual men and women, the authors provide a detailed portrait of moral, social, and psychological decision making. The interviews convey the complex emotions of love, lust, longing, hope, despair, and fear that shape individual dilemmas about whether to disclose to, deceive, or trust others concerning this disease. Some of those interviewed revealed their diagnosis widely; others told no one. Some struggled and ultimately told their partners; others spoke in codes or half-truths. One woman discovered her husband's diagnosis in a diary; when confronted, he denied it. Each year in the United States, 40,000 new cases of HIV arise, yet approximately one-third of the 900,000 Americans who are infected do not know it. As treatments have improved, unsafe sexual behavior has increased and efforts at prevention have stalled. Many of those infected continue to fear and experience rejection and discrimination. Addressing broad debates about the nature of secrecy, morality, and silence, this book explores public policy questions in the light of the nuanced, private decisions that are shaping the course of an epidemic and have broader indications for all.
For the ruthless Sith Order, failure is not an option.
It is an offense punishable by death-and a fate to which Commander Yaru Korsin will not succumb. But on a crucial run to deliver troops and precious crystals to a combat hotspot in the Sith's war against the Republic, Korsin and the crew of the mining ship Omen are ambushed by a Jedi starfighter. And when the Sith craft crash-lands, torn and crippled, on a desolate alien planet, the hard-bitten captain finds himself at odds with desperate survivors on the brink of mutiny-and his own vengeful half brother, who's bent on seizing command. No matter the cost, Korsin vows that it will not be his blood and bones left behind on this unknown world. For the way of the Sith leaves little room for compromise-and none at all for mercy.
In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no firsthand knowledge of this country beyond her father’s glowing memories of his graduate school years here. More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas’s wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot. In a series of deftly drawn scenes, we watch the family grapple with American English (hot dogs and hush puppies?—a complete mystery), American traditions (Thanksgiving turkey?—an even greater mystery, since it tastes like nothing), and American culture (Firoozeh’s parents laugh uproariously at Bob Hope on television, although they don’t get the jokes even when she translates them into Farsi). Above all, this is an unforgettable story of identity, discovery, and the power of family love. It is a book that will leave us all laughing—without an accent. From the Hardcover edition.
Folktales. Mythology. With illustrations by Chester Scott. In LIFE WITH THE LITTLE PEOPLE, Robert Johnson Perry weaves history, traditional information, family stories and his own fiction to create a facinating look into the magical world of the Little People...Follow him into this world.
You will be enthralled. (--Gayle Ross) After a career as a chemical engineer, Perry, a Chickasaw Indian, was able to devote his time and energy to writing, dedicating himself to recording many of the stories passed on to him by Native American elders from various tribes. These stories are both fantastical and entirely possible.
It's not so much that 'little people' exist, writes Perry in his introduction, or even that herbs were used, it's that simple faith is enough for healing to occur. The book is a magical reading experience for any reader, or, as we Muskogeans say--'Felep ah gez oschee!'--they'll have a really good time. (--Will Hill, Kabitcha Feke Seko)
“Prepare to be disturbed and blown away. The stuff is remarkable, amazing.”—Los Angeles Times Good-Bye is the third in a series of collected short stories from Drawn & Quarterly by the legendary Japanese cartoonist Yoshihiro Tatsumi, whose previous work has been selected for several annual “top 10” lists, including those compiled by Amazon and Time.com. Drawn in 1971 and 1972, these stories expand the prolific artist’s vocabulary for characters contextualized by themes of depravity and disorientation in twentieth-century Japan. Some of the tales focus on the devastation the country felt directly as a result of World War II: a prostitute loses all hope when American GIs go home to their wives; a man devotes twenty years of his life to preserving the memory of those killed at Hiroshima, only to discover a horrible misconception at the heart of his tribute. Yet, while American influence does play a role in the disturbing and bizarre stories contained within this volume, it is hardly the overriding theme. A philanthropic foot fetishist, a rash-ridden retiree, and a lonely public onanist are but a few of the characters etching out darkly nuanced lives in the midst of isolated despair and fleeting pleasure.