Ill Met By Moonlight is the gripping account of the audacious World War II abduction of a German general from the island of Crete. British special forces officers W. Stanley Moss and Patrick Leigh Fermor, together with a small band of Cretan partisans, kidnapped the general, then evaded numerous German checkpoints and patrols for nearly three weeks as they maneuvered across the mountainous island to a rendezvous with the boat that finally whisked them away to Allied headquarters in Cairo.
Drawing on myriad sources--from the faint traces left by the rocking of a cradle at the site of an early medieval home to an antique illustration of Eve's fall from grace-this second volume in the celebrated series offers new perspectives on women of the past. Twelve distinguished historians from many countries examine the image of women in the masculine mind, their social condition, and their daily experience from the demise of the Roman Empire to the genesis of the Italian Renaissance. More than in any other era, a medieval woman's place in society was determined by men; her sexuality was perceived as disruptive and dangerous, her proper realm that of the home and cloister.
The authors draw upon the writings of bishops and abbots, moralists and merchants, philosophers and legislators, to illuminate how men controlled women's lives. Sumptuary laws regulating feminine dress and ornament, pastoral letters admonishing women to keep silent and remain chaste, and learned treatises with their fantastic theories about women's physiology are fully explored in these pages. As adoration of the Virgin Mary reached full flower by the year 1200, ecclesiastics began to envision motherhood as a holy role; misogyny, however, flourished unrestrained in local proverbs, secular verses, and clerical thought throughout the period. Were women's fates sealed by the dictates of church and society? The authors investigate legal, economic, and demographic aspects of family and communal life between the sixth and the fifteenth centuries and bring to light the fleeting moments in which women managed to seize some small measure of autonomy over their lives.
The notion that courtly love empowered feudal women is discredited in this volume. The pattern of wear on a hearthstone, fingerprints on a terra-cotta pot, and artifacts from everyday life such as scissors, thimbles, spindles, and combs are used to reconstruct in superb detail the commonplace tasks that shaped women's existence inside and outside the home. As in antiquity, male fantasies and fears are evident in art. Yet a growing number of women rendered visions of their own gender in sumptuous tapestries and illuminations. The authors look at the surviving texts of female poets and mystics and document the stirrings of a quiet revolution throughout the West, as a few daring women began to preserve their thoughts in writing.
Beyazıt Meydanı'nda on dokuz arkadaşıyla birlikte idam edilen Paramaz'ın ve Osmanlı-Ermeni devrimci hareketinin mücadelesini irdeleyen elinizdeki kitap, resmi ideolojinin ve kendisini bu ideolojinin tesiriden kurtaramamış sosyalist hareketin örttüğü bir tarihe ışık tutuyor. Kadir Akın, bu ilk kaynak niteliğindeki çalışmasında Paramaz ve arkadaşlarını anlatmakla yetinmiyor, onların mücadelesinin daha iyi kavranabilmesi için o dönemin siyasi koşullarını ve Ermenilere uygulanan soykırımı, detaylı araştırmaların ürünü olan eserlerden yararlanarak yeniden inceliyor. Türkçe kaynakların yanı sıra, sadece bu çalışma için Ermenice asıllarının ilgili bölümlerinden yapılmış çevirileri de içermesi kitabın kaynak değerini yükseltiyor. Okur, kitapta Paramaz ve yoldaşlarının serüvenini izlerken, milliyetçi diye anlatılan Ermeni devrimcilerinin aslında Türk devrimcileriyle birlikte mücadele etme çabasında olan enternas-yonalistler olduğunu görecek. Kadir Akın da bu serüveni Ermeni devrimcilerinin tarihi olarak değil, müşterek mücadele tarihimizin bir parçası olarak sunuyor, Paramazları "ötekilerin" değil, bizim kahramanlarımız, bizim devrimcilerimiz olarak sahipleniyor. (Tanıtım Bülteninden)
The author does a good job of presenting the anti-democratic varieties of thought. I am only disapointed that none of them match my own criticisms on democracy. Most of the time, the very definition of democracy, that is, what the critics imagine democracy to mean, is the source of the criticism and of confusion. Little was, then, accomplished towards criticizing democracy as it is actually implemented, as Femia correctly points out. I give the book three stars, since I consider that Femia took t
Peter and his father are moving to a new house beyond the dark unfriendly woods. When they arrive at their new home, Peter wants to turn back. Fortunately, he has Harold for company, but Harold is just a dog and can't help Peter. Scared of the things hidden in the woods, Peter makes a tall pile of pillows. He stitches and sews. He pushes and pulls.
And when he is done, he has Lenny, Guardian of the Bridge, to protect him and Harold.
Lenny is a good guard but Peter worries that Lenny will get lonely out by the woods all by himself, so he makes Lucy, who is a good friend. Together, Lenny, Lucy, Peter, and Harold discover that this new place isn't so scary after all.
Unknown bones, untold secrets, and unsolved crimes from the distant past cast ominous shadows on the present in the dazzling new thriller from New York Times bestselling author Tess Gerritsen. Present day: Julia Hamill has made a horrifying discovery on the grounds of her new home in rural Massachusetts: a skull buried in the rocky soil–human, female, and, according to the trained eye of Boston medical examiner Maura Isles, scarred with the unmistakable marks of murder. But whoever this nameless woman was, and whatever befell her, is knowledge lost to another time. . . . Boston, 1830: In order to pay for his education, Norris Marshall, a talented but penniless student at Boston Medical College, has joined the ranks of local “resurrectionists”–those who plunder graveyards and harvest the dead for sale on the black market.
Yet even this ghoulish commerce pales beside the shocking murder of a nurse found mutilated on the university hospital grounds. And when a distinguished doctor meets the same grisly fate, Norris finds that trafficking in the illicit cadaver trade has made him a prime suspect. To prove his innocence, Norris must track down the only witness to have glimpsed the killer: Rose Connolly, a beautiful seamstress from the Boston slums who fears she may be the next victim. Joined by a sardonic, keenly intelligent young man named Oliver Wendell Holmes, Norris and Rose comb the city–from its grim cemeteries and autopsy suites to its glittering mansions and centers of Brahmin power–on the trail of a maniacal fiend who lurks where least expected . .
. and who waits for his next lethal opportunity. With unflagging suspense and pitch-perfect period detail, The Bone Garden deftly interweaves the thrilling narratives of its nineteenth- and twenty-first century protagonists, tracing the dark mystery at its heart across time and place to a finale as ingeniously conceived as it is shocking. Bold, bloody, and brilliant, this is Tess Gerritsen’s finest achievement to date. "An old mystery is crossed with a modern story in the latest from Gerritsen (The Mephisto Club, 2006, etc.).Julia Hamill, newly divorced and still smarting, purchases an old house outside Boston. Determined to dig a garden, she instead finds the bones of a long-dead woman–the apparent victim of murder–which starts her on a journey to ferret out the story behind her death. Julia connects with Henry, a no-nonsense 89-year-old with boxes of documents that once belonged to the now-deceased previous owner of Julia’s home. The two discover a mystery dating back to the 1830s. At the heart of it is a baby named Meggie, born to the beautiful but doomed Irish chambermaid, Aurnia. Married to a man who cares nothing for her, Aurnia lays dying in a maternity ward with her sister, Rose, at her side. Rose, a spirited 17-year-old, takes Meggie to protect her from Aurnia’s husband, but soon finds herself the target of a bizarre manhunt.
Someone is after the child–and Rose, as well, because she witnessed a horrifying murder. The body count piles up as Rose struggles to remain free of those who would take Meggie from her.
Meanwhile, a young medical student becomes the chief suspect of the West End Reaper killings when he stumbles onto another terrible homicide. Although he fights the prospect, eventually he and Rose join forces to solve the murders and protect the baby at the heart of the mysterious deaths. Readers with delicate stomachs may find Gerritsen’s graphic descriptions of corpse dissection hard to take, but the story, which digs up a dark Boston of times long past, entices readers to keep turning pages long after their bedtimes." - Kirkus Reviews (starred) From the Hardcover edition.